EDGAR ALWIN PAYNE

Born in Washburn, Missouri, Edgar Payne became one of the foremost plein-air landscape painters of California in the early 20th century. He is best known for his majestic Sierra Nevada Mountain scenes, and depicted so many Indians on horseback riding through the Sierra Nevada Mountains that a mountain lake, Lake Payne, was named for him. He painted many works “en plein air” and also did numerous sketches from which he later did studio paintings. He worked quickly and completed about one painting per day. He depicted many other locations as well including the coast of Laguna Beach, the Canadian Rockies, the French and Swiss Alps, the Italian and French Riviera, fishing scenes of Italy and France, and landscapes in the Southwest including the Grand Canyon and Canyon de Chelly in Arizona.

Payne was active in Chicago early in his career and there had a distinguished reputation for painting stage scenery for famous actresses and for mural painting.

He left home at age 14 because his father objected so strongly to his son’s dedication to an art career. He earned money painting houses, stage sets and murals, and traveled through the Ozarks, Texas, Mexico and Chicago where he received a major commission from the Congress Hotel for an 11,000 foot mural of Italian gardens. (Since destroyed). In Chicago, he was active with the Chicago Society of Artists and the Alumni Association of the Art Institute.

He was self-taught except for a brief period at the Art Institute of Chicago. Of his art education, his daughter said: “My father never studied with anyone. He tried the Chicago Art Institute for a little while, but he didn’t like it. He considered himself to be completely self-taught.” (“Plein Air” 26)

In 1909, he first visited California and painted scenes of Laguna Beach and San Francisco. During this time he discovered the beauty of the Sierra Nevada mountains, where he returned continually throughout his career for the inspiration that led to his signature paintings and a turning from murals and stage sets to landscape painting.

He married artist Elsie Palmer in 1912, and the couple with their daughter, Evelyn, born in 1914, moved to Laguna Beach. They rented a beach-side cottage while Edgar built a home, which was the only one the family ever owned. They lived in it for three years, and it was a uniquely stable time for the family that traveled frequently in search of painting subjects.

Payne decided he wanted to have an art gallery for exhibiting artists, and in 1920 he became the founder and first president of the Laguna Beach Art Association and the Gallery of Laguna Beach. The first meeting was held in his studio. The Paynes later moved to Los Angeles so they could be closer to the Stendahl Galleries, which was in the Ambassador Hotel and represented his work.

In 1916, the Santa Fe Railroad commissioned him to paint the Southwest, and the couple spent four months in Canyon de Chelly. They also traveled and sketched the Grand Canyon and scenes of New Mexico and spent several years, 1922 to 1924, in Europe. Payne had a commercial artist friend, George Evans, who visited them in Europe, and according to Payne’s daughter, Evans and the Paynes spent much time looking at artwork in museum. In the 1923 Paris Salon, Payne won an Honorable Mention, which was significant recognition because more than 7000 paintings were exhibited.

During the Depression, Payne took teaching jobs to earn money for him and his family, and he also wrote his book, “Composition of Outdoor Painting”, which, with many printings, has been a popular guide to landscape painting. He and his wife continued to spend much time in New York City and had planned to build a house there, but did not start the project because of the economy.

The couple separated in 1932, but Elsie, who subsequently had a very successful career, returned to live with him towards the end of his life when he was ill. A major problem between them was his dominant personality and her resentment that her own considerable talents were submerged by his demands. Apparently he felt remorse. Their daughter wrote that “the last words her father spoke to her on his last day of life in 1947 were that ‘he was sorry he had been so selfish and that everything had been for his art.’ ” (“Plein Air” 26)

ASSOCIATIONS:
Salmagundi Club
Allied Art Association
International Society Art League
California Art Club (President 1926)
Laguna Beach Art Association
Ten Painters of Los Angeles
Palette & Chisel Club, 1913
Chicago Society of Artists
American Artists Professional League
Carmel Art Association

EXHIBITIONS:
California State Fairs, 1917 (prize),1918 (prize)
Sacramento State Fair, 1918 (gold)
Sacramento, 1919 (medal)
Los Angeles County Museum of Art, 1919 (solo), 1926 (gold medal)
Art Institute of Chicago, 1920 (prize)
Southwest Museum, 1921 (prize)
Pennsylvania Academy of Fine Arts Annual,1921,22,25
Paris Salon, 1923
National Academy of Design, 1929 (prize)
Golden Gate International Exposition, 1939
California Art Club, 1947 (prize).

PUBLIC COLLECTIONS: Murals
Empress Theatre & American Theatre, Chicago
Clay County Court House, Brazil, IN
Hendricks County Court House, Danville, IN
Queen Theatre, Houston

PUBLIC COLLECTIONS: Paintings
Nebraska Art Association, Lincoln
Peoria Society of Allied Artists
Herron Art Institute
Municipal Art Commission
Janesville (WI) Art Association
Indianapolis Museum
Laguna Art Museum
Bancroft Library, UC Berkeley
National Academy of Design
National Museum of American Art, Washington D.C.
Pasadena Art Institute
Pasadena Art Museum
Southwest Museum of Los Angeles
Springville (UT) Museum of Art
University of Nebraska Galleries
Art Institute of Chicago
Oakland Museum; Irvine Museum, CA
Fleischer Museum, Scottsdale, AZ

Sources:
Evelyn Payne Hatcher, Plein Air Magazine, June 2004
Donald Hagerty, Leading the West
Edan Hughes, Artists in California, 1786-1940
Redfern Gallery, Laguna Beach

Source: www.askart.com