Joseph_meeker_secondary_2
  • TITLE: Southern Stream Landscape
  • SIZE: 12″ X 16″
  • MEDIUM: Oil on Board
  • SIGNED: Lower Right

Joseph_meeker_secondary_1

Louisiana Bayou

A painter of southern landscapes, Joseph Meeker was born in Newark, New Jersey and grew up in Auburn, New York. He received a scholarship to the National Academy of Design in New York City, where he studied with the Hudson River School painter Asher B. Durand and with portraitist Charles Loring Elliott. After studying in New York City, he established a studio in Buffalo, 1849-52. He then moved to Louisville, Kentucky 1852-59, before settling permanently in St. Louis, Missouri, where he painted the Louisiana Bayou.

During the Civil War he fulfilled his military duties as a Union Navy paymaster on a gunboat that traveled the Mississippi River. While traveling along the Mississippi River he sketched the bayous and swamps of Louisiana.

When Meeker returned to St. Louis, Missouri, he became quite successful as a painter of southern landscapes based on the drawings he did in the military. During the 1870s and 1880s, Meeker worked in the manner of Luminism. “Meeker used light and color to heighten emotional impact and captured the hazy atmosphere light in the swampy environment. Meeker’s paintings were influenced by the nineteenth century’s waning romanticism and Henry Wadsworth Longfellow’s poem about eighteenth-century Acadian exiles, Evangeline.”

Meeker is best known for his bayou swamp scenes, but he also created landscapes of the New England coast, the Wyoming territories, Minnesota, along the Merrimac River (NH), and also created portraits and did some writing.

Source:

Groce and Wallace, “The New York Historical Society’s Dictionary of Artists in America”

Louisiana State Museum
http://lsm.crt.state.la.us/painting/meeker.htm

Peter Falk, “Who Was Who in American Art”

 

Source: www.askart.com

Joseph_meeker_secondary_1
  • TITLE: Louisiana Bayou
  • SIZE: 24″ X 36″
  • MEDIUM: Oil on Canvas
  • SIGNED: Lower Right

Joseph_meeker_secondary_2

Southern Stream Landscape

A painter of southern landscapes, Joseph Meeker was born in Newark, New Jersey and grew up in Auburn, New York. He received a scholarship to the National Academy of Design in New York City, where he studied with the Hudson River School painter Asher B. Durand and with portraitist Charles Loring Elliott. After studying in New York City, he established a studio in Buffalo, 1849-52. He then moved to Louisville, Kentucky 1852-59, before settling permanently in St. Louis, Missouri, where he painted the Louisiana Bayou.

During the Civil War he fulfilled his military duties as a Union Navy paymaster on a gunboat that traveled the Mississippi River. While traveling along the Mississippi River he sketched the bayous and swamps of Louisiana.

When Meeker returned to St. Louis, Missouri, he became quite successful as a painter of southern landscapes based on the drawings he did in the military. During the 1870s and 1880s, Meeker worked in the manner of Luminism. “Meeker used light and color to heighten emotional impact and captured the hazy atmosphere light in the swampy environment. Meeker’s paintings were influenced by the nineteenth century’s waning romanticism and Henry Wadsworth Longfellow’s poem about eighteenth-century Acadian exiles, Evangeline.”

Meeker is best known for his bayou swamp scenes, but he also created landscapes of the New England coast, the Wyoming territories, Minnesota, along the Merrimac River (NH), and also created portraits and did some writing.

Source:

Groce and Wallace, “The New York Historical Society’s Dictionary of Artists in America”

Louisiana State Museum
http://lsm.crt.state.la.us/painting/meeker.htm

Peter Falk, “Who Was Who in American Art”

 

Source: www.askart.com

Jean-Manhaiem-third
  • TITLE: Woman in Kitchen
  • SIZE: 20″ x 26″
  • MEDIUM: Oil on Canvas
  • SIGNED: Lower Left

Anne Lorraine Vollmer

Jean-Mannheim

Woman Reading

Born in Bad Kreuznach on the Nahe, Germany on Nov. 18, 1863.  After being drafted into the German army, Mannheim deserted and fled to France where he studied art at Ecole Delecluse, Académie Colarossi, and with DeLancey and Bouguereau.  Having learned book binding early in life, he used this trade to support himself while studying art in Paris.

Upon immigrating to Illinois in 1884, he painted portraits in Chicago and taught in a Decatur art school.  About 1903 he accepted a position at Frank Brangwyn’s school in London and stayed for two years.  Returning to the U.S., he taught at the Denver Art School until 1908. He then made his final move to Pasadena and built a home in the Arroyo Seco.  Mannheim maintained a studio in the Blanchard Building in Los Angeles where he exhibited and taught, and in 1913 founded the Stickney Memorial School of Fine Arts in Pasadena.  His figure studies and landscapes prior to 1915 were tighter and done with a restricted palette; whereas, his palette then lightened and he adopted the loose brushwork of Impressionism. He died in Pasadena on Sept. 6, 1945.

Member: Laguna Beach AA; Long Beach AA.

Exh: Paris Salon, 1897; Blanchard Gallery (LA), 1909; Alaska-Yukon Expo (Seattle), 1909 (gold medal); Calif. Art Club, 1911-31; Kanst Gallery (LA), 1912, 1918; Pasadena Art Inst., 1913, 1926, 1928; Throop College (Pasadena), 1914; Woman’s Clubhouse (Hollywood), 1914; Friday Morning Club (LA), 1914, 1940; Panama-Calif. Expo (San Diego), 1915 (gold & silver medals); LACMA, 1915, 1917, 1922; Pasadena Society of Artists, 1917-37; Painters & Sculptors of LA, 1922-24; Arizona State Fair, 1923 (1st prize); Southby Salon (LA), 1925; Painters of the West (LA), 1925-27; Biltmore Salon (LA), 1926; Ebell Club (LA), 1926, 1935, 1936, 1938; Sierra Madre City Hall, 1930; Gardena High School, 1934; Foundation of Western Art (LA), 1935-42; Academy of Western Painters (LA), 1935; Webb Gallery (LA), 1938; GGIE, 1939.

In: Orange County (CA) Museum; Long Beach Museum; Denver Museum; Irvine (CA) Museum.

Edan Hughes, “Artists in California, 1786-1940”
Southern California Artists (Nancy Moure); Who’s Who in America 1918; American Art Annual 1919-29;Plein Air Painters (Ruth Westphal); Art in California (R. L. Bernier, 1916); Overland Monthly, Sept. 1933;Who’s Who in American Art 1936-41; So. Calif. Artists 1890-1940; Los Angeles Times, 4-5-1936 & 9-8-1945 (obituary).

 

Source: www.askart.com

Ray-Strong
  • TITLE: China Camp San Rafael
  • SIZE: 18″ x 24″
  • SIGNED: Lower Right
  • DATE: 1934
  • NOTES: Exhibited in the Steinbeck Center

Ray-Strong

Cow Country, Loyalton, CA

Landscape painter and muralist, Ray Strong was born in Corvallis, Oregon on January 2, 1905.  He began painting at age eight, and during his highschool years, spent Sundays with painter Clyde Keller working from the Columbia slough to Mt Hood.

Upon moving to San Francisco in 1924, he enrolled at the California School of Fine Art, and from there went to New York City where he continued his studies at the Art Students League under Frank DuMond.

Returning to San Francisco in 1931, Strong taught at the local Art Students League with Maynard Dixon, Frank Van Sloun, and George Post.  Taking over the old Beaux Arts Galleries on Maiden Lane, they formed an Artists Cooperative Gallery from 1934-39.

He did dioramas for both the San Diego Expo of 1935 and the Golden Gate International Exposition of 1939.  Strong was a diorama painter for the U.S. Forest Service from 1935-38 and did similar work for the National Park Service during 1940-41.

Still active as an artist in his later years, from 1960, he has been a resident of Santa Barbara.  He was artist-in-residence at the Santa Barbara Museum of Natural History (1960-63) and co-founder of the Santa Barbara Art Institute. Ray Strong died on July 3, 2006

ASSOCIATIONS:
Oregon Society of Artists
Society of Western Artists
Palo Alto Art Club
California Society of Mural Painters
Santa Barbara Art Association
Mann Society of Artists

COLLECTIONS:
National Museum of American Art
Lassen, Rainier, and White Sands National Parks
Daly City High School
College of Mann
Society of California Pioneers

Murals: Santa Barbara Museum
Morro Bay State Park Museum
Keene Valley (NY) Congregational Church
Post Offices in San Gabriel, CA and Decatur, TX
Bacon Hall, UC Berkeley
Academy of Sciences (SF); Roosevelt Jr. High School (San Jose)
Santa Fe Railway Station in LA (done with Edith Hamlin and Buck Weaver)

Sources include:
American Art Annual, 1933; Who Was Who in American Art 1936-41; Interview

Edan Hughes, “Artists in California, 1786-1940”
Source: www.askart.com

Willian-Posy-Silva-new
  • TITLE:
  • SIZE: 10″ X 12″
  • MEDIUM: Oil on Board
  • SIGNED: Lower Right

A landscape painter, William Silva was an important art world figure in Tennessee and also in California, where he moved in 1913 and for thirty-five years devoted himself to painting cypresses, eucalypti, dunes, and coasts.

He was born in Savannah, Georgia, and studied at Chatham Academy and engineering at the University of Virginia. He inherited the family chinaware business, which he ran successfully for thirty years until he began painting at age 50.

In 1887, he moved to Chattanooga, Tennessee, and there became known as “the finest artist at the turn of the century” (Gerdts Art Across America, V III). He painted in an impressionist style and did many panoramic views of Chattanooga as well as paintings of the pine forests near Savannah. Initially he pursued his chinaware business there, but in 1894, began to take art instruction.

Encouraged by his wife, he retired from his business in 1907 and enrolled at the Academy Julian in Paris as a student of Jean Paul Laurens. He also painted with American artist Chauncey Ryder. Recognition came quickly, and he had his first solo exhibition in 1909 in Paris at the Georges Petit Gallery.

That same year he returned to Chattanooga, and a moment of great fame was the winning of the silver medal in 1910 at the Appalachian Exposition in Knoxville where he displayed seventy canvases. He then moved to Washington D.C. where he was active in the Society of Washington Artists until he moved to California in 1913.

He built a studio off Carmelita Street in the sand dunes but continued to exhibit with the Southern States Art League and also maintained close ties with his birthplace, Savannah, where in 1917 a solo exhibition was held at the Telfair Academy. He was a member of numerous organizations including the California Art Club and the Salmagundi Club.

He died on February 10, 1948.

Source: www.askart.com